The English band Ride has unveiled their seventh studio album, titled "Interplay," marking their third release since reuniting. This highly anticipated project follows their 2019 album "This Is Not A Safe Place," which was later reimagined by Pêtr Alexsänder in 2020. Fans were curious whether the Oxford-based quartet would continue the sound of their last album, return to their noisier roots, or explore an entirely new direction.
The album kicks off with "Peace Sign," a January release that combines traditional and straightforward elements. The track features powerful drums, bold bass, sharp guitars, and keyboards that subtly nod to the Simple Minds era of "Sons And Fascination," creating a well-blended sound. While this first single might not break new ground, it's an enjoyable listen. "Last Frontier," the album's second single, presents a more captivating sound with clear influences from Joy Division and New Order. Its drumbeat and guitar riffs immediately recall "Love Will Tear Us Apart," missing only Peter Hook's distinctive bass for a complete homage, while Mark Gardener's vocals bring to mind Bernard Sumner. This suggests an '80s vibe permeates "Interplay," though it's only one facet of the album.
One of the album's standout tracks, "Light In A Quiet Room," unfolds over six minutes and two distinct halves. The first is gentle and meditative, evoking a psychedelic atmosphere that ends with a few piano notes and a brief silence. The second half brings energy, reminiscent of the band's noisier moments.
"Interplay" then reveals its full breadth, offering an engaging experience. The electronic beat of "Monaco," the album's third single, along with its slightly danceable melody, suggests a continuation from "Future Love" off "This Is Not A Safe Place." Ride also ventures into heavier sounds with tracks like "Last Night I Went Somewhere to Dream" and "Midnight Rider," where Loz Colbert's forceful drumming takes center stage. "Portland Rocks" unleashes the guitars, adding an extra layer of intensity. However, it's the album's final two tracks that captivate listeners. "Essaouira," the longest track at seven minutes, starts with dub-like tones and a pronounced bass. The drumming is impeccably precise, the guitars shimmer, and the vocals seamlessly blend into a dreamlike soundscape. The journey concludes with "Yesterday Is Just A Song," a cinematic piece that draws listeners into a blissful trance with its deceptive rhythm and floating synth layers.
https://rideox4.bandcamp.com/track/monaco
https://www.youtube.com/watch?v=IODxpM8qk8Q&list=PLt788Racgz0GkUUlxkLX9X1HKRVGyY4pK
